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  » Appendix VI
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  » Appendix IX
  » Appendix X
  » Appendix XI
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  » Appendix XIII
  » Appendix XIV
  » Appendix XV
  » Appendix XVI
  » Appendix XVII
  » Appendix XVIII
Warren Commission Report: Page 797« Previous | Next »

(APPENDIX XVI - A Biography of Jack Ruby)

fully sought modification of AGVA's policy permitting "amateur" strippers,315 inexperienced girls paid less than union-scale wages,316 to perform at union houses. Ruby apparently believed his two competitors, the Weinstein brothers, were scheduling amateur shows in a manner calculated to destroy his business.317 Ruby's discontent with AGVA grew particularly acute during the late summer and early fall of 1963 when, in addition to meeting with AGVA officials,318 he called upon several acquaintances, including known criminals, who, he thought, could influence AGVA on his behalf.319 Other problems with AGVA arose because of his policy of continuous shows, which did not give masters of ceremonies enough time off,320 and his alleged use of AGVA members to mingle with patrons to promote the consumption of liquor.321

In June 1963, Ruby visited New Orleans, where he obtained the services of a stripper known as "Jada," 322 who became his featured performer.323 Jada and Ruby had numerous contract disputes and he was concerned about her high salary, recurrent absenteeism, and diminishing drawing power.324 Moreover, he thought that Jada had deliberately exceeded even the Carousel's liberal standards of decency in order to cause him to lose his license or to obtain publicity for herself.325 On several occasions Ruby excitedly turned off the spotlights during her act., and at the end of October 1963, he fired her.326 However, after Jada sued out a peace bond, she apparently recovered a week's salary from Ruby.327

In addition to problems with its star stripper, the Carousel was required to employ three masters of ceremonies in rapid succession following the departure in about September 1963, of Wally Weston, who worked there about 15 months.328 And in early November, the band that had played at the Vegas Club for about 8 years left the Vegas to accept the offer of another Dallas club.329

Financial Data and Tax Problems

Jack Ruby's pockets and the trunk of his car served as his bank. With a few exceptions, Ruby and his clubs rarely employed bank accounts.330 Instead, Ruby carried his cash with him, paying the bulk of his expenses and debts directly out of club receipts.331

During the latter half of 1963, the Carousel, the Vegas, and Ruby each maintained checking accounts at the Merchants State Bank in Dallas. Balances of the latter two accounts never exceeded $275. In July 1963, the Carousel's account had more than $500; after August 8, its maximum balance was less than $800. Between May 31 and November 24, 1963, 53 checks were drawn on the three accounts; with the exception of one check for $129.47, all were for less than $100.332 He generally purchased cashier's checks at the Merchants State Bank to pay his monthly rental of $550 for the Carousel and $500 for the Vegas.333 He also purchased cashier's checks during the 3 months prior to the assassination to pay about $1,500 to the Texas State treasurer, $110 to Temple Shearith Israel, apparently for Jewish high holy day tickets, and $60 to the American Society of Authors and Publishers.334

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